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Christopher Isherwood is an abhorrent writer. I tried to read one of his books, and I put it down after the first short monologue. Some middle-age guy’s face appeared to be rotting in his bathroom mirror.
Nonetheless, I found Christopher and His Kind to be an interesting movie in a Dostoevsky-lite way.Ā He’s still a monster, but what’s interesting is how the world is portrayed around him. The movie shows howĀ the free-spirit, hippie Weimar cultureĀ devolves into Nazism, even though there are no clear causes or moral evaluations. The movie opens with a psychologically astute song and the climax for me was when his gigoloĀ boyfriend becomes a Nazi storm-trooper.
Speaking about monsters…
I’m watching a documentary on Gore Vidal right now on Netflix. What surprised me is how bad a writerĀ VidalĀ was. Consider the famous essay where he says that Rand’s philosophy is “nearly perfect in its immorality.” He goes on to write:
Moral values are in flux. The muddy depths are being stirred by new monsters and witches from the deep. Trolls walk the American night. Caesars are stirring in the Forum. There are storm warnings ahead. But to counter trolls and Caesars, we have such men as Lewis Mumford whose new book, The City in History, inspires.
Talk about gaudy. Victor Hugo’s metaphors makeĀ Vidal’s smellĀ like cardboard.
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The opening songĀ is “I Don’t Who to Whom I Belong”:
https://www.youtube.com/watch?v=_neloKZjU5I
German lyrics sung by Marlene Dietrich:
https://www.youtube.com/watch?v=YSaUKAGuF1M
Song text (open, then click “translate” in a Google chrome browser):
http://www.golyr.de/marlene-dietrich/songtext-ich-weiss-nicht-zu-wem-ich-gehoere-56767.html
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